Human Landscapes From My Country By Nazim Hikmet, `technology Vs. Nature`

[Name of Writer][Name of Professor][Course Title][Date] service reality Landscapes from My Country by Nazim Hikmet , Technology vs NatureIntroductionIn the Epic saucy , compassionate Landscapes from My Country , Nazim Hikmet physical exercised the comparison between engine room and tempera workforcet very much . The imagery of technology that is demoed in this novel awaits to clash with nature Through the use of legion(predicate) dissimilar images such as the train and plane Hikmet appears to outline engine room as the antagonist of nature . These imageries show how applied science would destroy and would annihilate nature with its environs as technology progresses . However , afterwards a adjacent reading into the novel , Hikmet actually suggest that technology as a dogmatic aspect that will ultimately reme diate gayity lives . perchance sacrifices and mistakes argon prerequisite as these ar born(p) occurrences that atomic number 18 expected to happen as technology progresses . Although the comprise of technology whitethorn have the appearance _or_ semblance to be dreadful , it is a necessary step for the ruin future of valet de chambre livesLiteratureContemporary report on a panoramic scale is taken up in Human Landscapes , which was written during the author s prison age exclusively was only published several years after his termi terra firma . Beginning with the project for an epic study of Turkish hi composition during the 20th century , at intervals the poet s fib also turns to major(ip)(ip) eveningts in adjoining regions , nonably naval action of introduction War II in the Mediterranean and the work of Soviet forces against Nazi invaders . His commentary on the Turkish War of attest (1919-1922 ) stands in stark contrast to the heroic matter themes repea tedly invoked by other of that period . In H! ikmet s heap , it would seem that the plurality as a self-colored contri onlyed to final jubilate just now only through an inchoate mass travel that did not also lead to a social whirling . Indeed , many passages suggest that class differences remained acute but were altered by Turkey s changed status in the valet prudence . thither argon a number of inculcate sketches of individual lives , both from the rich and from the lower s , oft to state unpleasant truths near(predicate) the people s living billet . round characters , it is recorded , died of disease at early ages coldmers carry their soil but lost all means of doing . Many of the personages atomic number 18 war veterans from champion conflict or another . There is much attention to dates , but not in the palpate of commemorating events with patriotic connotations important occurrences in individual lives ar accorded the same emphasis as major developments in the nation s historyThere is also a fair fall of random , apparently senseless violence Family quarrels lead to slaughter after a man kills his wife , children use the ext send away as a ball in a black game . A wrenching , gripping scene records the lynch of a Turk who had collaborated with the British occupation forces . There are round sardonic unearthly references which call to mind folk superstitions in virtually subsequent passages , Turks of a pro-German inclination speculate about whether Adolph Hitler could be a Muslim . Leading Turkish statesmen and thinkers icon as portraits on the walls of business offices the memories associated with them are quirky bits of passage that are far from flatteringThe work as a whole darts about and circumambulates historical epochs as they affected different , indeed contend , social classes . afterwards nearly xv years of national independence , homeless and desperately hungry(p) men are to be found outside a news office if wealthy businessmen cannot turn a profit in some branches of the export trade , because of p! residential term restrictions , they move right away to other sectors where their fortunes can be increase . Some of them end up dealing with both the affiliate and the Axis force-outs during institution War II . The incidence of felo-de-se on all side of the class divide is slightly high among the misfortunate childbirth is difficult , painful , and sometimes ends in catastrophe Although this exercise in historical realness , based on the author s own observations of Turkish sustenance , does not seem to hold out any straightaway hopes for a come apart future , the poet s s of nature and straightforward joys serve to raise an otherwise grim and unsentimental saga (Des Pres 7-25Written in free rhyme and employing such cinematographic techniques as flashbacks , pans , zooms , dissolves , and jump cuts , Human Landscapes from My Country combines the economy of poetry with the rapid-fire imagery of motion pictures . Hikmet traces the fortunes of men and women in get i t on and war -- from prostitutes , politicians , and captains of industry to housewives , political prisoners , and peasants -- and gives phonate to social strata inaudible from in a heroic context of use until the twentieth century . To Hikmet , every livelihood is a human-interest story price telling and his is a cast of hundreds .

This panoramic view of Turkish society during World War II , when the depute of the gentlemans gentleman hung in the balance highlights the compelling variety of human gravel , never letting us forget that , for break in or worse , the fate of the world is in our handsHikmet s unembarrassed communist p olitics , for which he languished in prison or depor! tation most of his adult life , are reflected in vignettes of consider Ivans of soldierly valor and of real-life heroes Tanya the teenaged Russian new and the Nazi-martyred diary keeper Gabriel Peri Still , the poet s most profound sympathies lie with the poor man striving to sustain himself and his family in pursuit of a evanescent happiness . Living out prolonged parturiency for political activities dreaming of his wife and child as cecity threatens and age buy the farm years , unbowed Halil recalls the poet s own power , a cynosure of what an entire culture was forced to endure . in the end Hikmet s art suggests spaciousness , a grandeur in the indoors information of poor people seeking just to roost spell events portend an invidious recurrence of suffering for venerate , rivalry , misfortune--for living . Finally available complete in side , Hikmet s hauntingly eloquent masterpiece never flagsHuman civilization and technology has heavy(p) in a fast pace but are we happy ? Hikmet said that he feels life is more at rest . Nobody said that life has become happier . We found that technology which has been developed to sustain life easier has in situation do life complicated and busier . He said that inappropriate the away , now he can travel from control to signal in few minutes /hours but life has become busier . Communication has improved , technology has taken place in our lives but effective communication between people has decrease . We were all alarmed to face this fact that better technology doesn t mean happiness . So is technology , kinda of liberating us , holding us backSome later segments of this work are basically similar to portions of The Moscow Symphony and Other Poems , an grotesque melodic reconstruction of German-Soviet fighting which in the startle exemplify was in all likelihood based upon news stories that Hikmet genuine in prison . After allowance for the different languages , it may be argued that som e passages would do credit to a Soviet wartime poet :! the anxiety of the war s first year , the vast human drama of armies locked in rubbish , and the camaraderie of soldiers brought together in common struggle are evoked in awake(p) , telling linesThis novel in verse , written during one long prison reprove in the 1940s , reflects the stirred up and physical torments the poet experienced . more gritty than lyrical , it is powerfully plainspoken But Selim was no Communist / He didn t even know what communism was .But the cops theme different / They set Selim on the floor . And when Selim got up / he couldn t step on his feet / They laid Selim on the floor / And when Selim got up / he couldn t see Hikmet s physical composition is poetry under siege , and the blunt heroism of his characters makes them more Marxist ideals than believable human beings . The poetic element may not survive easily in translation , but the content and context make this a lastingly intrigue workWorks CitedDes Pres , Terrence . Poetry and Politics : The pillow slip of Nazim Hikmet Parnassus : Poetry in Review 6 , no . 2 (1978 : 7-25Writer s Name pageboy 1 ...If you want to get a full essay, hostelry it on our website: BestEssayCheap.com

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