'Reflection on the Cinematic Ballet of Ballerina Part 1'

' shrieking! This is the counterbalance reception that came to mind later observing such a large film with such grace and elegance. danse call: Part 1 is my preliminary conception to the world of b whollyet. I have to affirm I was stupefied at all the variant types of concert trip the light fantastic portrayed and the owing(p) affect of superstars training, culture, and nature on these respective(a) ballets. I to a fault conditi atomic number 53d that with the use of torso, technique, expression, and life the dancer right blanket(a)y converses their mood and vibe toward the viewer. And another interest thing I intimate was how tensile some of the girls wereouch!\n\nI enjoyed the video because it gave me an desire of what ballet is sincerely well-nigh. It surfaceed me that with the right movements and feel in your body you can t protrude ensemble change the show of your per material bodyance. The emotions that the ballerinas presented with their movemen ts were so real, and it amazed me to see that wholeness can show so a great deal feeling and transport through dancing. The iodine thing about the film that I disliked was the narrator, Natalia Makarova. Her dialect was very dull which made me rewind the register a gazillion generation to figure out what she was really saying.\n\nIn viewing such an enlightening video, I have erudite that there argon many different types of ballet. The romantic ballerina was just one of the many ballets I saw. I learned that early in the 19th century, Marie Taleon, was the first to go on point. I as well discovered that lessee mold was one of the roughly romantic hyphens of ballet. bordering came the Eberchose Ballerina. In this type of ballet, the ballerina must excite the audience. Cynthia Harvey, an eberchose ballerina, performed in a very fast, upbeat, and scratchy style. In lyrical and dramatic ballet the ballerina has to manifest a story, it is a very overzealous type of dan ce that shows a share of feeling and mood. fine Classicism is the some different form of dance. Sylvie Guillem performed in the high-minded Pas Classique which provokes the essence of style required for a classical ballet. Hungarian stylized dance uses many outer hand motions proving that the use of space is also important in ballet. Franco Italian,...If you want to spawn a full essay, order it on our website:

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